| 翻訳と辞書 |
| Postmodernist film ： ウィキペディア英語版 |
Postmodernist film
Postmodernist film attempts to articulate postmodernism (its ideas and themes and methods) through the medium of film. Postmodernist film attempts to subvert the mainstream conventions of narrative structure, characterization and destroys (or, at least, toys with) the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something different from traditional narrative expression.
==Overview of postmodernism==
Postmodernism is a complex paradigm of thought, art, philosophy, method. It emerged, initially, as a reaction to high modernism. Modernism is a paradigm of thought and viewing the world characterized in specific ways that postmodernism reacted against. Modernism was interested in master and meta narratives of history of a teleological nature.〔(【引用サイトリンク】title=The Postmodern, Postmodernism, Postmodernity: Approached to Po-Mo )〕 Proponents of modernism suggested that social/political/cultural progress was inevitable and important for society and art.〔〔(【引用サイトリンク】title=Dueling Paradigms: Modernist v. Postmodern Thought )〕 Ideas of cultural unity (i.e., the narrative of the West or something similar) and the hierarchies of values of class that go along with such a conception of the world is another marker of modernism.〔 In particular, modernism insisted upon a divide between "low" forms of art and "high" forms of art (creating more value judgments and hierarchies).〔〔 This dichotomy is particularly focused on the divide between official culture and popular culture.〔 Lastly but, by no means comprehensively, there was a faith in the "real" and the future and knowledge and the competence of expertise that pervades modernism. At heart, it contained a confidence about the world and humankind's place in it.〔
Postmodernism attempts to subvert and resist and differ from the preoccupations of modernism across many fields (music, history, art, cinema, etc.). Postmodernism emerged in a time not defined by war or revolution but rather by media culture.〔 Unlike modernism, postmodernism does not have faith in master narratives of history or culture or even the self as an autonomous subject.〔〔〔 Rather postmodernism is interested in contradiction, fragmentation, and instability.〔 Postmodernism is often focused on the destruction of hierarchies and boundaries. The mixing of different times and periods or styles of art that might be viewed as "high" or "low" is a common practice in postmodern work.〔〔〔 This practice is referred to as pastiche.〔 Postmodernism takes a deeply subjective view of the world and identity and art, positing that an endless process of signification and signs is where any "meaning" lies.〔"Postmodern Allegory and David Lynch's Wild at Heat" ''Critical Art: A South-North Journal of Cultural and Media Studies''; 1995, Vol. 9 Issue 1 by Cyndy Hendershot〕 Consequently, postmodernism demonstrates what it perceives as a fractured world, time, and art.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Postmodernist film」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|